Biography
Elpida Hadzi-Vasileva is a contemporary visual artist working across varied media of sculpture, installation and architectural interventions. Hadzi-Vasileva is interested in the areas of life that people find it hard to talk about – death, disease, and religion to name recent examples. Is it in part her natural curiosity or part of growing up in a communist country where many topics were forbidden? Freedom of expression, asking difficult questions, using difficult materials, revealing the hidden and looking behind and below are themes that inform all her works. Hadzi-Vasileva’s choice of materials range from the extraordinary to the ordinary and the ephemeral or discarded to the highly precious; they have included organic materials, foodstuffs and precious metals, such as caul fat to gold leaf.
Central to her practice is a response to the particularities of place, its history, locale, environment and communities. Elpida has worked in collaboration with many other professionals and organisations including the RSPB, and the Forestry Commission to The Vatican, and from Cathedral settings to National Trust properties as well as contemporary visual arts organisations such as National Gallery of Macedonia and Djanogly Gallery in UK. She understand the complexities of place and negotiations necessary to realise work in diverse often fragile settings. Hadzi-Vasileva work reflects an interest in how humanity behaves in our exploitation of nature, including the destruction of nature and how urbanisation, consumerism, disposable society and hunger for resources impacts our environment. It also reflects on the experience of fleeing war and hunger; the transmission of disease from untouched parts of our world leading to pandemics, and global warming. Unusual natural materials are used to critically consider the fragility of nature and make the viewer think, respond and react. Hadzi-Vasileva is interested in how the exchange of knowledge might develop through collaborative working and in the contexts of landscape, heritage, science and community as offered by each location.
Elpida Hadzi-Vasileva was commissioned by the Vatican as part of the Pavilion of the Holy See, at the 56th International Art Exhibition, and represented Macedonia at the 55th International Art Exhibition, La Biennale di Venezia. In 2023 she was awarded a MacDowell fellowship. Other awards including from Wellcome Trust, Pollock-Krasner Foundation, Arts Council England, Ministry of Culture of Macedonia. Her artworks have been commissioned and developed in urban and rural sites, in interior and exterior spaces, including Thirsk Hall Sculpture Garden; The University of Nottingham; Djanogly Gallery, Nottingham; Danielle Arnaud Gallery, London; Nymans Gardens; Fabrica Gallery, Brighton; Mottisfont Abbey, Romsey; Pied à Terre, London; Gloucester Cathedral, Bennachie, Aberdeenshire; L’H du Siège, France; Kilmainham Gaol Museum, Ireland. Permanent commissions can be visited at Preston Park, The University of Nottingham and Kilmardinny House.
Hadzi-Vasileva’s artworks are in public collections including Luxelakes a4 Museums, Chengdu, China; The Vatican; Soho House; Pooseum, Australia; Office of Public Works, Dublin, Ireland; Križanke, Ljubljana, Slovenia; Casoria Contemporary Art Museum, Napoli, Italy; Osten, Skopje, Macedonia; MIMA, Middlesbrough and New Hall Art Collection, Cambridge and private collections around the world.
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Selected exhibitions & projects
2024
- Thirsk Hall Sculpture Garden - Thirsk, England
- London Art Fair - Willoughby Gerrish, Business Design Centre, London, England
- Cusp - Kirkstall Forge, Kirkstall, England
2023
- The Gilded Elm - Preston Park, Brighton, England
- Made - Yorkshire Sculpture Park, England
- Seismic: Art Meets Science - Giant Gallery, Bournemouth, England
- British Art Fair - Willoughby Gerrish, Saatchi Gallery, London England
- Royal Sculpture Society - The Orangery, Thirsk Hall Sculpture Garden, Thirsk, England
- Artists Open Houses - Brighton and Hove, England
2022
- Vitae - Thirsk Hall Sculpture Garden, Thirsk, England
- An exhibition of small things with big ideas - White Conduit Projects, London, England
- Summer Exhibition - Royal Academy of Arts, London, England
2021
- The Touch, Future Ecologies - National Gallery of Macedonia, Skopje, Macedonia
- DI CARTA / PAPERMADE - 5Th edition, Palazzo Fogazzaro, Schio, Italy
- 10 Years of The Body - Zari Gallery, London, England
2020
- SI MUOVE - Diplomatic Art, Timisoara, Romania
- Cure 3 - Bonhams, London, England
- 25 Years - Danielle Arnaud Gallery, London, England
- Summer Exhibition - Royal Society of Sculptors, London, England
- The 20th Hands Across the Pacific Art Exhibition - Chengdu, China
2019
- Flavorings - Luxelakes A4 Art Museums, Chengdu, China
- Eurydice Prevails - Lakeside Arts, The University of Nottingham, England
2018
- Cure 3 - Bonhams, London, England
- Agency - Eagle Gallery, London, England
- Internal Beauty - Grant Museum of Zoology, London, England
2017
- Kilmardinny Tree - Trails and Tales, Bearsden, East Dumbartonshire, Scotland
- Osten Biennale - Gevgelija, Macedonia
- International Residency Prize - Sidney Nolan Trust, The Gallery, Presteigne, England
- Reoccurring Undulation VI - Coastal Currents, Shiwreck Museum, Hastings, England
- Angels and Animal Delights - Waterloo Festival London, St John’s Waterloo, London, England
- An Intimate Gaze – Danielle Arnaud Gallery, London, England
- A Scientific Encounter – Musée d’Anatomie de Montpellier in Montpellier, France
2016
- Making Beauty – Djanogly Gallery, Nottingham, England
- Inherent Beauty III – Osten Gallery, Skopje, Macedonia
- Rapture – Nymans, National Trust Gardens and House, Handcross, England
- Eternal Place-Creative Space – Sidney Nolan Trust, Presteigne, Wales
- Osten Biennial of Drawing – Osten Gallery, Skopje, Macedonia
- Artificial Realities – East Wing Biennial, The Courtauld Institute of Art, London, England
- Transfiguring – Imago Mundi – Macedonia collection, Italy
2015
- Haruspex – 56th International Art Exhibition, la Biennale di Venezia
- Fragility – Fabrica, Brighton, England
- A Foreign Encounter – Galerie FOE 156, München, Germany
2014
- HA[SOFT]RD – Middlesbrough Institute of Modern Art, England
- In the shadow of the breast – Seventeen Gallery, Aberdeen, Scotland
2013
- Silentio Pathologia – 55th International Art Exhibition, la Biennale di Venezia
- Alexandra Reinhardt Memorial Award – Middlesbrough Institute of Modern Art, England
- The Colour of Red – Bennachie, Scotland
- Resuscitare – artSOUTH, Mottisfont, England
- Reflection: white-black or not – Casoria Contemporary Art Museum, Napoli, Italy
2012
- Visual Industries Billboards – Ars Akta, Skopje, Macedonia
- Small Objects – Brighton Museum and Art Gallery, Brighton, England
- Summer Exhibition – Royal Academy of Arts, London, England
2011
- Compulsive, Obsessive, Repetitive – Towner Gallery, Eastbourne, England
- The Wish of the Witness – Pied a Terre, London, England
- Inherent Beauty 2 – Museum-Gallery Kavadarci, Macedonia
2010
- Transpire – St Bede’s Catholic College, Bristol, England
- Raison d'être – Southgate Project, Bath, England
- Inherent Beauty – Public Room, Skopje, Macedonia
- Spitalfields Sculpture Prize – Spitalfields Market, London, England
Education
- Royal College of Art – MA in Sculpture, London, England
- Glasgow School of Art – BA (First Class Honours) Fine Art in Sculpture, Glasgow, Scotland